1973, Melbourne, Australia


Master of Philosophy (Visual Art), NITA School of Art, ANU, Canberra
Bachelor of Visual Art (Hons), NITA School of Art, ANU, Canberra
Diploma of Art, Northern Melbourne Institute of TAFE


Group Member, SNO, Sydney
Lecturer, Drawing, Grenadi School of Design, Melbourne
Studio Assistant (to John Nixon)
Installation Assistant, Australian Centre for Contemporary Art (ACCA), Melbourne
Studio Assistant (to Stephen Bram)
Lecturer, Visual Art/Art History, La Trobe University / Sunraysia Institute of TAFE
Group Member, MIR11 Artist Run Initiative, Melbourne
Installation Technician, Goddard de Fiddes Gallery (Perth), Melbourne Art Fair
Transcription Assistant (to John Nixon)
Guest Presenter, Public Programs, ACCA
Installation Technician, Monash University Museum of Art, Melbourne
Installation Technician, Anna Schwartz Gallery, Melbourne
Art Forum Writer, ANU National Institute of the Arts, Canberra
Installation Technician, ANU Drill Hall Gallery, Canberra


Materials, Ryan Renshaw Gallery, Brisbane
Special Project, (w/ Jan van der Ploeg), Karlusic House, Melbourne
Analogue Shift, Charles Nodrum Gallery, Melbourne
MID AIR, KONSORTIUM, Dusseldorf, Germany
To the Centre, PS, Amsterdam, The Netherlands
CCNOA Project Room, Brussels, Belgium
Surface Tension, Gallery 25, Mildura
Of This Space, (w/ Karin Van Roosmalen), SHOW, Wellington, New Zealand
No. 22, SNO, Sydney
WALL DRAWINGS, (w/ Stephen Bram), Room103, Auckland, New Zealand
Colour and Form 1, (w/ Kyle Jenkins), Canary Gallery, Auckland, New Zealand
Six New Paintings, 874, Mildura
Planar Constructions, Department Of The Exterior (Canberra)
Complex Structures, MOP Projects (Sydney), Seventh Gallery (Melbourne)
M.A.P., (w/ Masato Takasaka), Studio12, Gertrude Contemporary Art Spaces, Melbourne
Sequence, WestSpace Gallery, Melbourne
Technician, Canberra Contemporary Art Space, Canberra


Abstraction 9, Charles Nodrum Gallery, Melbourne
UND Intercontinental 2010, Schwartz Gallery, London, UK
Paul Guest Collection, Bendigo Art Gallery, Victoria
This Way Up, School of Art Gallery, ANU National Institute of the Arts, Canberra
Placed and Spaced, Charles Nodrum Gallery, Melbourne
Composition, Conical Inc., Melbourne
No. 62, SNO, Sydney
No. 60, SNO, Sydney
No. 57, SNO, Sydney
In Order Out, (Inverted Topology), Anna Pappas Gallery, Melbourne
Cubism and Australian Art, Heide Museum of Modern Art, Melbourne
Reductive, ACGA Gallery @ Federation Square, Melbourne
Gold, SCA Gallery, Sydney
Open House for Butterflies, MINUS SPACE project space, Brooklyn, NY
Flatfiles, MINUS SPACE project space, Brooklyn, NY
re: working space, (Inverted Toplology), White Street Project, Frankston
PS 1999-2009, PS (Amsterdam) / Kunstruimte09 (Groningen), The Netherlands
Drawing Folio, Block Projects, Melbourne
Legacies, University of Southern Queensland Art Gallery, Toowoomba
MINUS SPACE, (Inverted Topology),  P.S.1 Contemporary Art Center, Long Island City, NY
Advance /Retreat: three experiments in transdisciplinary collaboration,  (Inverted Toplology), West Space, Melbourne
gegenstandslos, Gesellschaft für Kunst und Gestaltung e.V., Bonn, Germany
Upside Down, MINUS SPACE project space, Brooklyn, NY
Yo Mo Modernism II, CCNOA, Brussels, Belgium
Under the Surface, RC de Ruimte, Ijmuiden, Holland
My Eyes Keep me in Trouble, SCA Gallery (Sydney, Australia), Physics Room (Christchurch, NZ)
2020?, 2008 Next Wave Festival, (Inverted Topology), Meat Market, Melbourne
Abstraction 6 ways, Charles Nodrum Gallery, Melbourne
Rubik, Charles Nodrum Gallery, Melbourne
Australian Contemporary Non-Objective Art, Kunsthalle Dominikanerkirche (Osnabrück),
Museum im Kulturspeicher (Würzburg), RAUM2810 / Gesellschaft für Kunst und Gestaltung e.V. (Bonn), Germany
UND Jetzt, IS / Galerie Le Petit Port (Leiden), The Netherlands
Abstraction 6, Charles Nodrum Gallery, Melbourne
All is well that begins well and has no end, (Inverted Topology) 80WSE Gallery, NYU, New York
ABSTRACTION ARCHITECTURE SPACE, RMIT Project Space + Spare Room, Melbourne
No. 32, (Inverted Topology), SNO, Sydney
New Work – Unpacked and Expanded, CCP, Melbourne
New Work, George Paton Gallery, Melbourne University
Picture This, School of Art Gallery, ANU National Institute of the Arts (Canberra),SCA Gallery (Sydney),
VCA Gallery (Melbourne)
Inverted Topology, ‘+Plus Factors’, ACCA, Melbourne
Palimpsest #6, Rio Vista House/Mildura Arts Centre, Mildura
TAKE OFF, Hebel_121, Basel, Switzerland
Early Fabricated, CCNOA (Brussels), Belgium, Tracer Projects (Toowoomba), Peloton Gallery (Sydney),
Ocular Lab (Melbourne)
Awkward Balance, Blindside, Melbourne
Ambient Abstraction, SNO, Sydney
No. 2, SNO, Sydney
No. 9, SNO, Sydney
Andrews / Bram / Takasaka, PB Gallery, Swinburne University of Technology,
Melbourne
MIR11, Artist-Run-Initiative Stall, Melbourne Affordable Art Fair, Melbourne
Dimensions Variable, Canberra Contemporary Art Space, Canberra
Inverted Topology, Main Gallery / Studio12, Gertrude Contemporary Art Spaces,
Melbourne
Inverted Topology, Gallery 2, Artspace, Sydney
Abstract Realities, MOP Projects, Sydney
The Armoury Show (w/ RAID projects), New York City, USA
Constructed Colour, Artspace, Sydney
Mixed Business, Seventh Gallery Inc., Melbourne
MultipleMISCELLANEOUSalliances, CLUBSproject inc, Melbourne
Clash of the Titans, Gallery Wren, Sydney
New No York, Tonic (March event), (w/ Dion Workman), New York City, USA
Skylounge 2003, National Museum of Australia, Canberra
Pause, idSpace, Melbourne
Snap, School of Art Gallery, National Institute of the Arts, ANU
A4, WestSpace, Melbourne
Coincidence, Spiral Arm Gallery, Canberra
Hatched, Perth Institute of Contemporary Art, Perth


“Composition”, p.18, Saturday Age A2, 19 June 2010
“Opinion: ANALOGUE SHIFT”, ARTINFO (http://artinfo.com.au), November 2009
“Cubism and Australian Art” (ex. cat.), The Miegunyah Press, MUP, November 2009
“Cubism and Australian Art” (ex. cat.), The Miegunyah Press, MUP, November 2009
“Analogue Shift”, (ex. cat.), August 2009
“Letter”, (ex. cat.), June 2008
“Schottenmuster und Maismehl”, p.16, General Anzieger, 1 December 2007
“Abstraction 6”, p.30, Sunday Age, 12 November 2007
“Abstraction/Architecture/Space”, SPEECH, September 2007
“Abstraction/Architecture/Space”, SPEECH, September 2007
“Abstraction/Architecture/Space”, SPEECH, September 2007
“ABSTRACTION / ARCHITECTURE / SPACE” (ex. cat.), August 2007
“Site Drawing” (ACCA +Plus Factors ex. cat.), March 2006
“Constructed Colour” (ex. series cat.)
“Dimensions Variable” EYELINE issue #58 Spring 2005
“Early Fabricated” (ex. series cat.)
“Inverted Topology”, Artit Magazine Spring/Summer 2005
“Awkward Balance” (ex. cat), July 2005
“Dimensions Variable” (ex.cat), July 2005
“Walk Right Through” The Age, 8 April 2005
“+Plus Factors”, SPEECH (http://speech2012.blogspot.com), March 2006
"Inverted Topology" (ex. cat), April/July 2005, March 2006
"Melbourne Finishing School" Natural Selection no.3 (online journal), January 2005
"What Sort Of Business Do You Think You Are Running Here?" (ex.cat), October 2004
"Constructed Colour" (ex.cat.) Artspace, Sydney, September 2004
"A Process Of Abstraction" (ex. cat.), May/August 2004
"M.A.P.i.", Natural Selections no.1 (online journal), February 2004
"Light on the Wall", Times Out p.2, Canberra Times, 15 August 2002 
"Snap", (ex. cat.) School of Art Gallery, National Institute of the Arts, ANU, September 2002
"Flourishing Abstract", p.14, Canberra Times, 31 May 2001


Composition, Conical Inc., Melbourne
Drawing Folio (with John Nixon), Block Projects, Melbourne
ABSTRACTION / ARCHITECTURE / SPACE, RMIT Project Space + Spare Room, Melbourne
Mixed Business, Seventh Gallery Inc., Melbourne
Snap, School of Art Gallery, National Institute of the Arts, ANU


shortlisted, RBS Emerging Artist Award 2009, RBS Tower, Sydney
shortlisted, Westpac Redlands Art Prize, Mosman Art Gallery, Sydney
Academic Medal, Australian National University, Canberra


Australia Council Skills and Arts Development Grant - Tokyo Studio
UMAP Overseas Study Scholarship, LasalleSIA School of Fine Art, Singapore